The Magic Music House

Robin Trower: UK/European Tour Dates 2012 - Set List: March 2012

noreply@blogger.com (Ronnie Kerrigan) — Tue, 22 May 2012 17:19:00 +0000

Tickets are on sale for upcoming concerts by Robin Trower in Germany & the Netherlands in March 2012 and in the UK in June & September/October 2012. The following dates are confirmed and tickets are on sale. Robin will be joined on the tours' by Richard Watts (bass and vocals) and Chris Taggart (drums). It will be interesting to see the full list of venues and set list(s).

Further details of the UK/European tours will be added as venues and dates are confirmed.

European Tour Dates - March 2012

15 Mar - Luxor Live, Arnhem, Netherlands
16 Mar - Downtown Blues Club, Hamburg, Germany
17 Mar - KJK Sandgasse, Offenbach, Germany
18 Mar - Hirsh, Nuremberg, Germany
19 Mar - Spectrum Club, Augsburg, Germany
20 Mar - T.B.A. Berlin, Germany
21 Mar - Kulturscheune, Salzgitter, Germany
22 Mar - Heimathaus, Twist, Germany
23 Mar - Café Hahn, Koblenz, Germany
24 Mar - Ducsaal, Freudenburg, Germany
25 Mar - Harmonie, Bonn, Germany

Set List March 2012

DAY OF THE EAGLE

BRIDGE OF SIGHS
INSIDE NOT OUTSIDE
SEE MY LIFE
LADY LOVE
FOR EARTH BELOW
SOMEBODY CALLING
RISE UP LIKE THE SUN

CONFESSIN' MIDNIGHT
LITTLE RED ROOSTER
THE TURNING
TOO ROLLING STONED
A LITTLE BIT OF SYMPATHY
(Encores)
THAT’S ALRIGHT MAMA
DAYDREAM

UK Tour Dates - June 2012

22 Jun - The Harlequin Theatre, Redhill, Surrey, England
23 Jun - Blues Festival, Durham University Student Union (Dunelm House), England
24 Jun - Cleethorpes Blues Festival, Cleethorpes, England

UK Tour Dates - Sep/Oct 2012

21 Sep - Quarterhouse Folkestone, Kent
22 Sep - The Tivoli Theatre, Wimborne, Dorset
23 Sep - The Waterfront, Norwich
26 Sep - The Stables, Wavendon, Milton Keynes
27 Sep - O2 Academy, Islington, London
28 Sep - Pontardawe Arts Centre, Swansea, Wales
29 Sep - The Citadel, St Helens, Liverpool
03 Oct - Robin 2, Bilston, Wolverhampton
04 Oct - Fibbers, York
05 Oct - Waterside Arts Centre, Manchester
06 Oct - The Picturedrome, Holmfirth, Huddersfield
11 Oct - Concorde 2, Brighton (Note: event has been moved from Komedia)
12 Oct - Gloucester Guildhall, Gloucester
13 Oct - Exeter Phoenix, Exeter

Robin Trower Official Web Site

Jeff Beck announces New Band and Album (2012) & Performing on 'Saturday Night Live' (19 May 2012) with Mick Jagger, Tal Wilkenfeld and Vinny Colaiuta

noreply@blogger.com (Ronnie Kerrigan) — Sun, 29 Apr 2012 23:43:00 +0000

Some musicians find it hard to keep a group together and have to engage backing musicians who are sometimes not as good as their predecessors. Jeff Beck seems to attract the crème de la crème with each new project. Jeff has recently formed a new power-trio following a period of universal critical acclaim touring his Emotion and Commotion album (review shortly) and numerous awards culminating in the 'Living Legend Award' at the '2011 Classic Rock Awards' at London’s Roundhouse in November.

Jeff's upward spiral in status as a musician, guitar player and innovator are, in part, due to his fans, the response of audiences, record buyers, the superlative musical talent of members of his group(s), critical acclaim, musical awards and management.

His musical vision and exploration for a fresh sound within the power-trio format culminates in Narada Michael Walden being replaced on drums by Veronica Bellino who will record, and tour, with Jeff and bass player, Rhonda Smith, in 2012.

I hope the recordings produce an album hailed as innovative and imaginative and reveal fresh depths to Jeff's guitar playing and music. By reducing the size of the band to the bare essentials there is the opportunity for Jeff, Rhonda, and Veronica to - individually, and collectively - express their creative and dynamic instincts.

No doubt Jeff opened a highly creative and productive phase with the four-piece unit incorporating Tal Wilkenfeld (bass), Vinnie Colaiuta (drums) and Jason Rebello (keyboards). Numerous recorded and filmed performances are testament to the inspired music created; the qualities of magnificence, classic, precision, eloquence, spring to mind. I admit to disbelief and disappointment when Jeff announced a new touring band in 2010: Narada Michael Walden (drums) and Rhonda Smith (bass) to join Jason Rebello on keyboards. It proved, however, to be another successful collaboration. The music, like the rhythms, changed, as did the performances. Jeff is, once more, seeking out new creative territory. I trust it proves successful, both musically and emotionally. Finally, it would be great to see Jeff reuniting with Tal & Vinny for a few gigs . . .

Classic Rock Mag. Interview:

http://www.classicrockmagazine.com/news/cr-awards-jeff-beck/

Jeff Beck Official Site

CD Review: Robin Trower: "Farther On Up the Road - The Chrysalis Years (1977-1983)" [3 CD Box set] - Release Date: 27 February 2012

noreply@blogger.com (Ronnie Kerrigan) — Wed, 29 Feb 2012 16:00:00 +0000

After the successful release in July 2010 of A Tale Untold: the Chrysalis Years 1973-1976 Chrysalis Records has issued a second compilation of albums by Robin Trower spanning the period 1977 to 1983. Similar to the first compilation this release comprises a 3 CD Box Set.

The set is titled: Farther On Up the Road - The Chrysalis Years (1977-1983) and contains six albums and two bonus tracks: a radio edit of "Bluebird", and a b-side, "One In A Million." Again, most ardent fans of Robin's guitar playing and songwriting will have most, or, all, of the tracks on vinyl, CD and MP3. It is still, however, a compilation worth adding to a record collection.

It's gratifying to see a photograph of the late Reg Isadore included in the liner notes; he was an exceptional drummer and musician. I'm surprised there isn't a photograph of Bill Lordan. Bill played drums on four of the albums and isn't acknowledged with a photograph. I believe also that Bobby Clouter played drums on seven of the nine tracks on the album Back It Up and Alan Clarke played drums on two tracks: "Back It Up" and "Islands". Someone should meticulously proofread the credits before a record is released and ensure that all the musicians' physically involved with the music are given due credit and respect.

Bill Lordan

Robin's good fortune in meeting James (Jimmy) Dewar can't be underestimated. Jimmy, as ever, connects with the listener in a way most vocalist's can only dream. His voice is beautiful, and brings a unique kind of greatness to the music. He was also an outstanding lyricist and tremendous bass player. If fate had been gracious, perhaps Jimmy and Robin would have collaborated again and produced music of profound power, passion and relevance. Robin and Jimmy's recorded work and 'live' performances are full of seminal masterpieces which bring unbridled joy to many fans worldwide and continues to inspire and attract new admirers each day. A wonderful legacy.

James (Jimmy) Dewar - Bass, Vocals & Lyricist

Tracklisting

Choosing one song, one album, a compilation of tracks, or albums, cannot begin to encompass Robin Trower's gift and passion as a guitarist and musician, or the depth and variety of his extensive musical output. No doubt the album Bridge Of Sighs, and the track of the same name, provide a powerful introduction to his musical style and guitar playing. Nevertheless, Robin's musical output is remarkable in terms of its quality, melodic intensity and his mastery of the guitar. There are millions of 'gifted' guitarists in the world but few mature into musical artists who play with astounding virtuosity and are able to compose music of the highest quality with a plethora of masterpieces.

I believe, in the main, that this collection contains music of the highest quality. It is music of exploration, intensity, variety and colours - and it produces its fair share of magic. Nevertheless, as far as recording is concerned, the album Truce remains a disappointment. It has its share of undistinguished studio tracks, and - apart from a few performances where the interplay of Robin, Jack Bruce and Reg Isadore (all extraordinary gifted musicians) reach the creative standards one would expect - the overall atmosphere is uninspiring. The shortcomings lie, in part, in the poor quality of the songwriting.

The release of Back It Up in 1983 showed a return to Robin's customary creative standards. The new rhythm section: bassist Dave Bronze (an expressive player with a vivid bass tone) on seven of the tracks, and drummers Bobby Clouter and Alan Clarke (players of great style and intuition), and the return of James Dewar on vocals (and bass for two tracks), seems to have spurred Robin to push himself, yet again, to high limits both creatively and musically.

Throughout this collection the sounds, rhythms, phrases, lyrics, vocals and guitar solos, for example, on: "Sweet Wine Of Love", "Farther On Up The Road", "Little Girl", "My Love (Burning Love)", "Caravan To Midnight", "I'm Out To Get You", "It's For You", "King Of The Dance", "Sail On", "The Ring", "Fly Low", "Into Money", "Won't Let You Down", "Once The Bird Has Flown", "Gone Too Far", "Back It Up", "River", "Black To Red", "Benny Dancer", "Islands", still sound magical and fresh, no matter what some music writer's say to the contrary. Listen for yourself and make up your own mind. To me, Robin Trower is one of the greatest exponents of blues and rock guitar to hail from the UK.

Jimmy Dewar (most importantly), Reg Isadore and Bill Lordan, played a 'crucial' part in forming the identity, mood and texture of Robin's vision and creativity, and to bring the end result to the record buying public and concert audiences. While some of the tracks instantly capture the listener's attention, the collection contains music waiting to be discovered, or rediscovered, as there is a sense of timelessness, and wonder, in most of the performances and guitar solos.

Robin Trower

Jimmy Dewar

Bill Lordan

Dave Bronze

Jack Bruce

Track samples and order available at: Amazon's Robin Trower Store

Michael Schenker: "Temple Of Rock World Tour 2012" - Tour Dates and Tickets

noreply@blogger.com (Ronnie Kerrigan) — Tue, 10 Jan 2012 01:41:00 +0000

As part of his "Temple Of Rock World Tour 2012" Michael Schenker has announced he will be touring with different line ups around the world. The Tour will start in the United States in February/March 2012 featuring Robin McAuley (Vocals), Elliott “Dean” Rubinson (Bass), Wayne Findlay (Keyboards & Guitar), and Pete Holmes (Drums).

The set lists will comprise songs from UFO, MSG, The Scorpions, and new songs from the Temple Of Rock CD released 26/9/11. I have been an admirer of Michael's guitar playing from the '70's and believe the album is a tremendous achievement for Michael and mirrors his songwriting and guitar playing at its most powerful, passionate and engaging. Despite reading some negative comments, I believe the album captures its welcome share of wonderful moments and is a record to return to again and again to buoy the spirit.

U.S. Tour Dates: 15 Feb - 24 Mar 2012

At the end of March 2012 Michael will be joined in Japan with Michael Voss (Vocals), Herman Rarebell (Drums), Elliott “Dean” Rubinson (Bass), and Wayne Findlay (Keyboards & Guitar).

Japan Tour Dates: 27 - 30 Mar 2012

Michael Schenker has announced four UK dates for this tour. The shows will be the first time Schenker's touring band features two ex-Scorpions members: Herman Rarebill (Drums) and Francis Buchholz (Bass). The band line-up will also include Doogie White (Vocals) and Wayne Findlay (Keyboards & Guitar). Personally, I hope Michael adds a few more dates to the tour in the UK & Ireland.

UK Tour Dates

09 May 2012 - Wulfrun Hall, Wolverhampton
10 May 2012 - HMV Ritz, Manchester
11 May 2012 - O2 ABC Glasgow (ABC1 & ABC2), Glasgow
12 May 2012 - O2 Shepherds Bush Empire, London

Michael Schenker Official Site

Amazon's Michael Schenker Store

Merry Christmas and Best Wishes for a Happy New Year in 2012

noreply@blogger.com (Ronnie Kerrigan) — Thu, 22 Dec 2011 01:33:00 +0000

With gratitude I wish to thank those people who visit this site. I wish you all, and your families, success with your dreams, your inspirations, your creations, and that each of you enjoy a life that resounds with good health, hope, solidarity, trust and love.

And, most of all, may the music you listen to give you deep pleasure and find a place in your soul where it will reside for a long time.

DVD & CD Review: Rory Gallagher - 'Ghost Blues' & 'The Beat Club Sessions' - Release Date: 13 September 2010

noreply@blogger.com (Ronnie Kerrigan) — Wed, 30 Nov 2011 17:03:00 +0000

Just as the popularity and fame of Taste increased with audiences, record buyers, and critics - the group's successful performance at the Isle of Wight in 1970 established Rory as a prodigious talent and a charismatic performer - the news that Taste were to split shocked old and new fans, musicians and the music press. In 1970, Rory was just twenty two years old, Taste had achieved a great amount of success and were attracting a growing audience. Then, suddenly, in September 1970, I remember viewing the cover of Melody Maker and reacting with shock and disbelief. Taste Split. What had caused the early disintegration of a supreme rock and blues trio lead by Rory Gallagher, a rare talent and musical genius?

I believe few people knew, or know, what the group members' were thinking, feeling and going through at that time. I am not privy to the anxieties and problems that beset Taste, their management, agents, record company, etc., or the musicians' on the cusp of reaching the pinnacle of success. What I do know is that the unpredictable demise of Taste ended in a short lap of honour which included concerts in Belfast and Dublin. The music and magic was still there. Fans were watching and listening to a trio with astounding audience pulling power.

Had Taste reached an artistic peak? Did individual group members' wish to explore different musical territory, new styles of playing and creativity? Was their disbandment full of bitter resentment? Was this another phase in Rory's musical career? The burden of leading a band, a group - call it what you will - and the accompanying demands, can be exhausting to a passionate and sensitive artist. Frankly, I'm tired of individuals talking about the Taste Split as though they were privileged onlookers, eavesdroppers and witnesses to the life and relationships within the group. I'm just glad that Taste existed and, in Rory, produced a genuine musical legend and guitar hero who played in his own unique style with grace and passion.

Reissuing and repackaging Rory's music is smart and appreciated by many fans. To bring Rory's comprehensive story up to date, however, would be elegantly enriched if a DVD of Taste's performance at the Isle Of Wight, 1970 were released, sooner rather than later. Any review of Rory's life, vision and music remains imbalanced, and incomplete, without film of the inspirational music that Rory created and performed with Taste.

A two-disc titled 'Ghost Blues and The Beat Club Sessions' was released on 20 September 2010 to celebrate the life and work of Rory Gallagher. While Rory was a consummate, charismatic, passionate musician and performer, I disagree with those who believe Rory never made a 'definitive' studio album. I still have fond memories of his first solo album Rory Gallagher (1971) his second album Deuce (1971), and Against the Grain (1975). Quite outstanding albums: full of diverse, remarkable songs, proving Rory was a guitarist and songwriter of the first order.

Disc One: 'Ghost Blues'

The Story Of Rory Gallagher

The interviews with The Edge and Bill Wyman are interesting and engaging. Most of the concert footage will be known to Rory's many fans. The documentary contains little of Rory's early childhood, his favourite novels, films, how he relaxed, etc. It is sad Rory is no longer around to write an autobiography covering his life, personal vision, ambitions, music. Hearing it second-hand from some individuals who hardly knew him, is, to say the least, disappointing.

Disc Two: 'The Beat Club Sessions'

I remember first hearing 'For The Last Time' on the radio one night in 1971. It was the initial track I heard of Rory's first 'solo' album. The track had an atmospheric pulse, wonderful bass sound and patterns. It was Rory's guitar tone and potent soloing, however, which held my attention. He seemed to be pushing himself to the limit with each passionate phrase, revealing fresh depths to his playing and song writing.

The level of inspiration, songwriting, and musicianship throughout the album is exceptional. Five songs: 'I Fall Apart', Hands Up', 'For The Last Time', 'Can't Believe It's True', and 'Laundromat' are extraordinary songs: strong melodies and superb soloing on guitar and saxophone.

The early seventies, without doubt, opened up a new phase of creative songwriting and guitar playing for Rory. I just wish that 'live' versions of 'I Fall Apart', 'For The Last Time', Can't Believe It's True', and 'There's A Light' had been included in this package. Another session during this period may have delivered these songs. Anyhow, there are many highlights to enjoy, and the version of 'Messin’ With The Kid' is a remarkable climax to the recordings. Rory's music still retains unflagging integrity, spirit and unbridled passion. Not all professional musicians' can say that and be taken seriously.

Tracklist

Laundromat
Hands Up
Sinnerboy
Just The Smile
Used To Be
In Your Town
Should’ve Learned My Lesson
Crest Of A Wave
Tore Down
Pistol Slapper Blues
I Don’t Know Where I’m Going
Going To My Hometown
I Could’ve Had Religion
McAvoy Boogie (?!)
Hoodoo Man
Messin’ With The Kid

A package worth it just for the 'live' footage of Rory from The Beat Club. An outstanding tribute to a gifted musical artist. Hard to watch without tears of admiration for a genuine musician who played with so much heart, warmth and intensity.

The Beat Club Sessions - Audio CD format: Amazon

http://www.rorygallagher.com/

Concert Review: Robin Trower - The Caves, Edinburgh - 25 September 2011

noreply@blogger.com (Ronnie Kerrigan) — Thu, 06 Oct 2011 13:50:00 +0000

Some artists sound much the same from one gig to the next; playing songs 'note for note' as per the recorded versions. With Robin (as with Jimi Hendrix and Rory Gallagher, whom I both still idolise) no two concerts are the same regarding the length of songs and instrumentals, or the level of colour or mood they radiate to the audience. Robin's playing remains fluid, improvisational, and each concert represents a concert without precedent.

Tonight Robin is playing The Caves; a venue hard to find, but once you do, is truly an amazing place. The fact it is underground, a windowless cave with low lighting, brick walls, make for an intimate atmosphere ideal for music, live or otherwise. Robin is joined on stage tonight by Richard Watts (bass and vocals) and Chris Taggart (drums).

Richard Watts

From the opening number "Confessin' Midnight" I'm pleased to see how each musician commands the stage, and unify to deliver powerful, emotionally expressive, fresh versions of some of Robin's greatest songs. Robin seems genuinely delighted to be performing with this line-up, occasionally lighting his face with a warm smile. As Robin feeds of the response and affection of the audience I'm sure there are moments tonight when he feels overwhelmed.

On "Lady Love" Richard's vocals confirm he has progressed to be a strong, dynamic singer. He sang the lyric with total conviction; a blend of passion and freshness, while delivering a deep, strong bass line. Some of the audience - including myself - felt, at times, Richard's bass was too low in the mix. The energy level of the band, however, was high and they delivered expressive, inspirational versions of "Somebody Calling" and "For Earth Below." Richard and Chris creating deep, rich grooves for Robin to play his guitar with freedom, imagination, and in his own phenomenal style. The band played a song I haven't heard before: "When I Heard Your Name" which confirms Robin remains a prolific, creative musician.

Chris Taggart

Chris Taggart is a revelation on drums, adding colour, texture and driving rhythm grooves which weave into phrases that create a rich, colourful backcloth that Robin can solo over with intense creativity. His cymbal work is an integral part of his fine and subtle performance. The musicianship of Richard and Chris combine to provide a new dimension and sound to Robin's music; creating an hypnotic, spellbinding atmosphere.

Some fans are perturbed and mystified to find that Robin is playing tonight with a new rhythm section. Personnel changes - especially in a trio - can blend to create a change in musical colours, expressions, patterns, and make it sound completely fresh. The overall impression is that this rhythm section are perfect for Robin at this time, and he is clearly inspired by the new combinations of sound. Meanwhile, only Robin knows what the future holds regarding his musical direction, and the musicians he will use to bring his creative ideas to life.

Robin's set list tonight confirms he prefers to play the old songs, but in the studio he continues to record an extensive range of fresh material. During the last three years he has released three CDs: Seven Moons (2008), What Lies Beneath (2009), and The Playful Heart (2010). Of the three recordings I believe What Lies Beneath is a true "Classic". Each fan has their favorite Robin Trower albums and tracks. I would like to see Robin revolutionize his set list by including songs such as: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs & vibe), 'Living Out of Time' (a classic track), 'I Can't Wait Much Longer' and tracks from What Lies Beneath.

Robin, Richard and Chris play a rousing version of "Day of the Eagle" which flows softly into "Bridge of Sighs". At times, I close my eyes to listen to the music flowing from the stage. Whether mid-tempo, or slow, it sounds unified, fresh, spiritual, mood altering. As if time has slowed down. Richard's vocals ring out throughout the venue, and the sound of the guitar, bass and drums pulsate, weave patterns, and make that vital connection with the crowd. While I believe "The Turning" is a good song the change to a slower tempo at the coda doesn't enrich the composition. In fact, it negates the intensive flow and driving rhythm the song generates in the first place. The song still goes down well with the crowd.

Richard Watts

Someone asks me tonight why Robin's music affects me the way it does? Simple words can't describe the feelings one gets when one finds music that really matters to you, whether it is recorded or live. Robin's music and guitar playing remain embedded in my mind to be accessed when needed; still touching and moving me today as much as yesterday. Long may Robin continue to compose songs and music of substance, record, tour, and reach people with his musical talent.

Robin's guitar pick & set list

There's definitely a strong case for Robin to tour the UK/Europe & US in 2012 with this line-up (other commitments permitting). They are engaging, lively, superb musicians. In conversation with fans (post concert) most agreed tonight's concert had been a revelation; that Robin and his band looked and sounded energized, driven, and give a high octane performance. In essence, the stage pulsated with talent tonight, and credit is due to Robin, Richard and Chris for their contributions.

After the concert it was a pleasure to meet "long-time" Robin Trower fan Davy Smith again; Laurie Brace (Road Manager/Sound Engineer for Robin Trower), Chris Taggart, Robin's drummer, and other Trower fans whose names I unfortunately forget. The conversation was memorable as was the concert. The talents of the late Jimmy Dewar, Davey Pattison, Pete Thompson, Dave Bronze, Glenn Letsch, the late Rory Gallagher (and other musicians) brought forth fond memories of gigs in Belfast, Edinburgh and Glasgow. Also, favourite songs and albums. A wondrous night, indeed.

Laurie Brace and Davy Smith

Chris Taggart and Ronnie

Robin Trower Official Site

Robin Trower Page at Amazon

Richard Watts Official Site

1970 Isle of Wight Music Festival Exhibition (40th Anniversary) - Swansea Museum (17/09/11 - 31/12/12)

noreply@blogger.com (Ronnie Kerrigan) — Tue, 04 Oct 2011 13:29:00 +0000

An exhibition of circa 100 rarely seen photographs of the 1970 Isle of Wight Music Festival are on display at Swansea Museum from 17 September until 31 December 2011. The images include Jimi Hendrix, The Who, Rory Gallagher (Taste), Jethro Tull, Miles Davis, Leonard Cohen, et al. The photographs were taken by Charles Everest.

At the Festival Charles Everest was in charge of press liaison which give him the opportunity to take photographs of the performers - not only on stage - but behind the scenes, giving him a unique perspective of the event. I was fortunate to be at this amazing festival with my brother. It is heartbreaking to reflect on the number of remarkable musicians who played at the event and have since died.

40th Anniversary Catalogue

Rory Gallagher

Jimi Hendrix

Robin Trower: UK/European Tour - August/October 2011 - "The Playful Heart Tour"

noreply@blogger.com (Ronnie Kerrigan) — Mon, 29 Aug 2011 13:11:00 +0000

Robin Trower is currently undertaking a UK & European tour during August - October 2011. Some dates and venues remain to be confirmed. It will be interesting to see the full list of venues and the songs that comprise the set list. A revamped set would be invigorating for Robin and his legion of loyal fans. It would be great to hear live: 'Into Dust', 'Blue For Soul', 'This Old World' (great riffs and vibe), Living Out Of Time (classic song).

Personally I'm glad to see Robin tour as a power rock/blues "trio" again. While Livingston Brown is not on bass guitar and vocals, I'm pleased "the duties" are undertaken by Richard Watts; another fine musician, great vocalist and bass player, who has previously collaborated and toured with Robin. The trio is completed by the exceptional, flamboyant drummer, Chris Taggart, who played on two tracks of Go My Way & on three tracks of What Lies Beneath. Catch Robin while you can; a truly amazing musician, songwriter and guitar player.

A couple of dates in Ireland would have been great. I suggest The Spring & Airbrake in Belfast and Whelan's in Dublin. Both venues have hosted Michael Schenker, Peter Green and Jan Akkerman, and the crowds have been warm and appreciative. Maybe this tour will be extended, or Robin plans to tour in 2012? There is definitely a strong case for Robin to tour the UK/Europe & the US in 2012 with this line-up.

I'm attending the Edinburgh concert on 25 September and hope to post a review soon after.

Tour Dates

28 Aug - The Stables, Milton Keynes
29 Aug - Festival, Colne
03 Sep - Weyfest Music Festival, Tilford, Surrey
15 Sep - Assembly Rooms, Derby
16 Sep - O2 Academy Sheffield
17 Sep - Brewery Arts Centre, Kendal
22 Sep - Band On The Wall, Manchester
23 Sep - ABC Glasgow
24 Sep - The Lemon Tree, Aberdeen
25 Sep - The Caves, Edinburgh
05 Oct - Robin 2, Wolverhampton
06 Oct - The Brook, Southampton
07 Oct - Cheese & Grain, Frome
08 Oct - Princess Pavilion, Falmouth (Blues in the Bay from 3.00 p.m.)
12 Oct - The Spirit of 66, Verviers, Belgium
13 Oct - Mezz, Breda, NL
14 Oct - The Boerderij, Zoetermeer, NL
15 Oct - Laki, Helmond, NL
16 Oct - Gigant, Apeldoorn, NL

Robin Trower Official Web Site

Robin Trower Official YouTube Channel

Robin Trower Tour Page

CD Review: "Robin Trower - At the BBC 1973 -1975" - [2 CD Set] - Release Date: 7 February 2011

noreply@blogger.com (Ronnie Kerrigan) — Fri, 20 May 2011 21:48:00 +0000

This "Double CD" collection contains most of Robin Trower's BBC sessions from 1973-1975 recorded for John Peel, Bob Harris, and the "BBC In Concert" series. The tracks highlight the genesis of a group destined to create memorable music both in the studio and in live performance. Illustrious music destined to help mark out the lives of people fortunate to hear it. In fact, it has become an essential part of some of the lives of Robin's fans throughout the world. The recordings emphasize the importance of having outstanding songs: a "collective gift" to built on their foundation with sensitive, soulful singing; melodic, emotional guitar playing; and excellent, illuminating drumming to produce music of power, soul and passion that words alone fail to portray. The music, itself, engenders a mixture of feeling and recall - not unlike poetry - where each melody is remembered by those who love them.

The BBC Radio 1 Live In Concert CD released by Windsong International in 1992 was a disappointment due to falsified crowd noise and the absence of "Two Rolling Stoned" which was included in the original broadcast. The inclusion, however, of a full version of "Rock Me Baby" made purchase of the CD irresistible. I'm fortunate my brother taped the original broadcast of the radio. It remains one of my favourite recordings of the Robin Trower Band in concert. A true classic.

The collection is a must for any fan of Robin Trower, Jimmy Dewar, Reg Isidore, Bill Lordan, or any affectionate of classic rock and blues at its finest: soulful, passionate, emotional, sincere, moving. Robin Trower remains one of the greatest exponents of blues and rock guitar on this planet. Jimmy Dewar was an outstanding vocalist both in the studio and live. All the tracks are testament to Jimmy's beautiful, soulful voice, and Robin's fluid, melodic, dreamy guitar playing.

I believe the overdubbing of guitars on the John Peel Sessions, especially on "In This Place" (CD1) and the four songs on (CD2), was unnecessary given the profound depth and emotion each song already embodies. It would have been magical to hear "In This Place" played live without guitar overdubs.

Bugbears: Did anyone proofread the CD liner notes? The misspelling of "Alethea" and other typos' . . . It's not too much to ask, is it? The absence of a photograph of the late Reg Isadore - a genuine oversight, or not - is shameful.

The music still sounds haunting, magnificant, with a magic heart at its core. Enjoy.

CD1

Twice Removed From Yesterday (John Peel Session)
Man Of The World (John Peel Session)
Daydream (John Peel Session)
Sinner's Song (John Peel Session)
Day Of The Eagle (Bob Harris Session)
Little Bit Of Sympathy (Bob Harris Session)
Lady Love (Bob Harris Session)
Daydream (Bob Harris Session)
The Fool And Me (Bob Harris Session)
Alethea (Bob Harris Session)
Too Rolling Stoned (Bob Harris Session)
I Can't Wait Much Longer (Bob Harris Session)
Bridge Of Sighs (John Peel Session)
In This Place (John Peel Session)
Alethea (John Peel Session)
Little Bit Of Sympathy (John Peel Session)

CD2

Fine Day (John Peel Session)
Confessing Midnight (John Peel Session)
It's Only Money (John Peel Session)
Gonna Be More Suspicious (John Peel Session)
Day Of The Eagle (BBC In Concert)
Bridge Of Sighs (BBC In Concert)
Gonna Be More Suspicious (BBC In Concert)
Fine Day (BBC In Concert)
Lady Love (BBC In Concert)
Daydream (BBC In Concert)
Too Rolling Stoned (BBC In Concert)
I Can't Wait Much Longer (BBC In Concert)
Alethea (BBC In Concert)
A Little Bit Of Sympathy (BBC In Concert)

Album and MP3s of songs available at Amazon

DVD Review: Michael Schenker Group 'Live In Tokyo - 30th Anniversary Tour' [2010]

noreply@blogger.com (Ronnie Kerrigan) — Wed, 06 Apr 2011 18:46:00 +0000

This performance was recorded on 13 January 2010 at the Nakano Sun Plaza, Tokyo during the band's 30th anniversary tour of Japan. Michael is joined by Gary Barden (vocals), Simon Phillips (drums), Wayne Findlay (guitar, keyboards, vocals) and Neil Murray (bass). While the audio and visuals are great, the lighting and fast alternating camera shots are disappointing, at times. The overall performance of the group, however, is astounding given that the tempo barely slackens during the entire 1 hour & 35 minute concert.

Gary's vocals are gritty, smoky, and one tends to wonder if his voice will hold out until the end of the show. I'm not a fan of hearing an audience sing the chorus of a song(s) while the vocalist temporarily takes a back seat, holding his microphone in their direction. It can be great for those attending the concert but frustrating for those watching & listening to the performance on DVD. Gary does make it to the end of the concert and he is refreshingly unpretentious. It's not an easy task for a rock vocalist to sing with such passion, vitality and feeling while seeking to be heard above the extensive volume produced by a band on stage.

The DVD is worth it alone for the renditions of 'Let Sleeping Dogs Lie' (Michael's soloing and the ending are outstanding, melodic and mind-blowing), "Cry For The Nations", and "Lost Horizons". Some of the tracks and guitar playing (aka "On and On") may be slightly superior on the Japan DVD released in 1995. Nonetheless, this quality DVD provides further proof that Michael is an excellent guitar player and musician who remains greatly underrated and widely imitated.

Simon Phillips is a revelation on drums. His diverse and refined rhythm patterns accompanied by Neil Murray's superb bass playing and sound create strong pulses that give the overall music extreme energy and passion. Michael's soloing throughout the concert highlights that his unique guitar tone and playing remain a joy to behold. It's good to see Michael back on top where he belongs. Wayne Findlay, whether he is playing guitar or keyboards, is an excellent musician in his own right. His input is essential to the sound and music of the MSG. His imaginative playing and feel are integral to the charm and brilliance of this exceptional concert.

The extras include an interview with each band member, a group rehearsal, and backstage shots which include Michael adjusting his amp & pedal settings, and meeting a crowd of exhilarated fans. This DVD is a must for fans of heavy rock and virtuoso rock guitar playing as displayed throughout the concert by Michael Schenker.

Hard, heavy, metal rock - call it what you will - is a genre that doesn't just belong to the '80s as some musical commentators espouse. It continues to attract a large enthusiastic following world-wide (young & old) which ensures it is as relevant today as it was yesterday. Diverse music forms, for example, blues, jazz, R&B, rockabilly, country, classical, are still played with passion and relevance. As an art form, metal, hard, heavy, rock has the right to be treated with as much respect and value as other types of music. And it should be played loud. Listen to it before it's too late.

Track List

MSG:

Michael Schenker - Lead Guitar, Vocals

Gary Barden - Lead Vocals

Neil Murray - Bass Guitar

Wayne Findlay - Guitar, Keyboards, Vocals

Simon Phillips - Drums

Amazon: DVD Release Date: 11 Oct 2010

Michael Schenker Official Site

Tribute to Gary Moore - A Great Guitarist, Musician and Songwriter (1952-2011)

noreply@blogger.com (Ronnie Kerrigan) — Mon, 07 Feb 2011 02:52:00 +0000

The sudden death of Gary Moore on 6 February 2011 will shock and hurt his family, friends and fans worldwide for a long time. Gary was a musician, songwriter, and guitar player who truly deserves the accolade of "rock and blues great". He was one of the "few" guitar players in the world who combined a beautiful guitar tone with creative, melodic licks, beautiful vibratos, and lightening fast leads where each note of the melody could still be heard.

When I first saw Gary with Skid Row at the Ulster Hall, Belfast in the late 1960s I was surprised he was only seventeen. His virtuosity and gift were on clear display. It left many aspiring guitar players in the audience wondering if they should forget about trying to play the instrument. Of course, his guitar playing skills evolved through the years to a level few musicians attain.

The following video shows Gary at his finest: playing fluid guitar with genuine emotion, alternating between slow, melodic licks and lightening-fast runs. This 'live' version of "Parisienne Walkways" speaks for itself. A tenderness and brooding sorrow hangs over the song. The guitar sound and phrasing are beyond imitation. Many guitarists endeavour to copy Gary's unique style and sadly fail.

Gary played two nights at the Ulster Hall in 1984. The balcony area was closed to fans to house extra filming and lighting equipment for recording purposes. Segments of each show - including Gary's Dublin gig - were included on the Emerald Isles - Live in Ireland 1984 Video/DVD. I attended the first show in Belfast with my wife who was three months pregnant with twins.

During "Shapes Of Things" the floor of the Ulster Hall began to vibrate with such energy my wife felt nauseous. However, after some fresh air, a glass of water, we were kindly shown to seats in the balcony beside Gary's relatives who we were introduced to and talked with. It made the concert extra special. Gary was in top form, as were his band. When I heard Phil Lynott joined Gary on stage at the second gig in Belfast I felt disappointed to miss such an event.

Looking back I'm glad my wife and I attended the first night. The music went off like a flashbulb and Gary's variety of tone colours and playing made you gaze in wonder. While the music was loud, the overall sound made you feel warm, invigorated and confirmed you were in the presence of a guitar genius delivering limitless inspired guitar licks, riffs and melodies.

Gary will remain a guitar legend who belongs in the rock & blues hall of fame. May he rest in peace.

Gary Moore Official Website

'Concert for Killing Cancer' - Hammersmith Apollo, London - 13 January 2011

noreply@blogger.com (Ronnie Kerrigan) — Mon, 10 Jan 2011 19:10:00 +0000

A charity fund-raising concert will be held at the Hammersmith Apollo, London, on 13 January 2011. The current line-up includes The Who, Jeff Beck, Richard Ashcroft, Debbie Harry, and Bryan Adams.

The event is being organized by promoter Harvey Goldsmith, and Bill Curbishley, manager of The Who and Robert Plant. The concert will raise funds to benefit the Killing Cancer charity, specifically, to raise awareness of Photodynamic Therapy (PDT).

The inspiring commitment and generosity of those involved in making the event feasible - Harvey G. and Bill C., the artists, the Hammersmith Apollo, and others - are to be warmly applauded. Their vision and passion will ensure valuable funds are raised for cancer research.

I am attending the concert and hope to write a review.

Harvey Goldsmith - News & Press Release 15/11/10

Best Wishes for a Happy New Year in 2011 - May the music you listen to find a place in your soul where it will reside for a long time

noreply@blogger.com (Ronnie Kerrigan) — Fri, 31 Dec 2010 20:32:00 +0000

With gratitude I wish to thank those people who visit this site, those who post comment, and those who list this blog on their own site. I wish you all, and your families, success with your dreams, your inspirations, your creations, and that each of you enjoy a life that resounds with hope, solidarity, and love.

And, most of all, may the music you listen to give you deep pleasure, engender passion, take your breath away, and find a place in your soul where it will reside for a long time.

Robin Trower - "The Playful Heart" - Studio CD - Release Date: 7 December 2010

noreply@blogger.com (Ronnie Kerrigan) — Tue, 07 Dec 2010 11:30:00 +0000

The latest studio album from Robin Trower is certainly intriguing and compelling. I will post a review when I've listened to the CD inside-out. I would recommend the album to anyone who enjoys classic rock, blues, and jazz. The musicianship from Robin, Pete, Glenn, and Davey is outstanding, as is the production by Livingston Brown. The songs are diverse, and most are weaved in magic.

Track Listing:

The Playful Heart
Don't Look Back
The Turning
Dressed In Gold
Find Me
Song For Those Who Fell
Maybe I Can Be A Friend
Prince Of Shattered Dreams
Camille
Not Inside - Outside
And We Shall Call It Love

Further details of album and ordering: Amazon and The Official Robin Trower Store

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Jeff Beck - Brighton Centre, Brighton - 16/10/10

noreply@blogger.com (Ronnie Kerrigan) — Tue, 02 Nov 2010 01:31:00 +0000

Concerts this inspiring don't come along too often. Some guitarist's flaunt their technical skill with fast playing, fast tempos, clichéd licks, have little interaction with their fellow-musicians on stage, and forget they are supposed to connect truthfully and emotionally with their audience. I see no point in grading guitar players as better or worse among themselves. The concept of who is/was the 'best' guitarist seems vacuous to me. All 'great' guitar players are born with a gift and I respect their genuine differences.

I guess Jeff's music and playing has a deep meaning for me and makes a genuine difference to my life; similar to other musicians I admire. Tonight, Jeff and his band exceed my expectations and give a performance rich in sound, delivery, creativity, emotion and inventive agility. When you watch and listen to Jeff playing live you hear each note he plays, the melody, the music. He constantly moves about the stage as if searching for fresh inspiration, new sounds. His movements fixate the audience's attention. Tonight, Jeff shows breathtaking dexterity on the guitar in a wide range of musical styles. His excellent band never waver during the performance; kicking rhythmically in unison on each song while highlighting their individual artistic prowess.

From the opening track "Plan B" of the Jeff album (2003) it is evident this concert holds no false promises. The sound balance and Jeff's guitar tone are excellent. Also apparent is Jeff's willingness to give his group room to highlight their exceptional individual musicianship. When "Plan B" fully kicks in - an electronic, funky, haunting mix of beauty and steel - it enables Jeff to fire his powerful turbine of riffs over Rhonda's powerful, funky, bass lines, Narada Michael Walden's colourful, intuitive drumming, and Jason's exceptional, rich-sounding keyboard playing.

"Corpus Christi Carol" was as captivating and atmospheric 'live' as on the Emotion and Commotion CD, which didn't surprise me. What surprised me was that it didn't seem out of place on the set list. In fact, it sounded simultaneously mysterious and wonderful. If you were still enough, and concentrated on the music, the musicians, you felt part of it. A magnificent tenderness. The mood takes a powerful turn when Jeff hits the wah-wah pedal for the intro to "Hammerhead", a track that burns with passion, amazing soloing over hypnotic rhythms and riffs. Magical music with power and energy.

Jeff's rendition of "'Mná na h-Éireann" (Women of Ireland) composed by Seán Ó Riada, was moving and breathtaking. Jeff's soloing, on this song, was one of the highlights of the concert, as was Rhonda's bass solo. I prefer the 'live' version without violin. It felt, to me - and the audience, by their reception at its conclusion - that Jeff and the band delivered a haunting, evocative, and unforgettable version of the song. Truly wonderful.

Rhonda performed a stunning bass solo which included harmonics, bending the strings behind the nut of her bass guitar, hitting (caressing?!) its body, finger tapping, string bending, and then getting into some serious, eloquent, and powerful funky bass playing which had the crowd totally enthralled. Rhonda's playing was formidable and sexy. Am I allowed to state that? Hell, yes. Perhaps you should be over a certain age to witness Rhonda's compelling stage presence and musical talent!

Tonight, the music range is wide; embracing everything from blues to funk to jazz to classic British rock, and much more. The band play a wonderful version of "People Get Ready" and the vocals aren't missed. In fact, Jason plays some wonderful keyboards in the outro section of the song which create a strong groove. Then the concert goes up another notch; this time with a great version of "Big Block". Jeff's guitar soloing - alternating between light and shade - reaches a different level. In the hands of a master his guitar wails and sings with melody, riffs, single notes, harmonics, finger tapping, volume swells, whammy bends, and most of all, feel.

"Brush With The Blues" lasts for about five minutes and is a complete masterclass in how to play music that connects with an audience, and why Jeff deserves to be placed high in the canon of musical geniuses. He plays with a lyrical beauty, spirit, and charisma that few guitar players, at present, can hope to reach.

The slow tempo of ""A Day In The Life" sounds rich, textured, melodious, and is a revelation - full of character, magic, exhilaration, sadness. Music that lingers in the memory. (Is that "Purple Haze" I hear? Is that a tribute to 'Jimi at the Monterey Pop Festival' at the end of the song?). John Lennon composed the beautiful, memorable song, and Jeff has reconfigured it to be heard in a different, and perhaps, for some, in a more powerful way.

Jeff and the group deserve the boisterous standing ovation at the close of the set. During the encores they preform a rousing, energetic version of "I Can Take You Higher" which highlights Rhonda's talent as a vocalist, as well as a musician. Jeff and the group are joined on stage by the leader of the support act, "Trombone" Shorty, which helps create a party feel. Jeff then pays tribute to the late "Great" Les Paul by adorning a Les Paul guitar and playing a rendition of "How High the Moon". Jeff and the group play in sync with a pre-recorded vocal tape. I believe the recording featured the vocalist, Imelda May.

Jeff reaches for his white, fender stratocaster and plays a beautiful, haunting version of "Nessun Dorma". He may not have played the songs everyone wanted to hear tonight, but no-one was left in any doubt they had witnessed an incredible show. A show performed by an outstanding group led by one of the greatest guitar players of our time. Music and guitar playing which tends to stay in the memory for a long, long time afterwards.

Jeff's set list signed by Rhonda

Postscript: Even though it was freezing outside the venue I'd like to thank Rhonda Smith and Narada Michael Walden for taking time to talk to fans outside the venue and signing memorabilia. The following photograph didn't come out as I hoped. I believe it was too cold and the flash decided not to work properly! It is still a good photograph and a great memento - along with the set list - of an outstanding concert.

Ronnie and Rhonda - post concert in chilly, cold Brighton

Rhonda Smith Official Site

Jeff Beck Official Site

Jeff Beck - Official YouTube Channel

Jeff Beck UK Tour Dates - October 2010 / Live at Tokyo International Forum -12 & 13 April 2010 / Les Paul’s 95th Birthday

noreply@blogger.com (Ronnie Kerrigan) — Wed, 29 Sep 2010 05:46:00 +0000

Jeff Beck and his band are undertaking a short UK tour during October 2010. Anyone who has never witnessed Jeff playing 'live' - and is attending one of the following concerts - will witness an amazing guitar player and a mind-blowing concert. I am disappointed Jeff is unable to include Belfast in his schedule. Perhaps Jeff will include the Ulster Hall, Belfast on a future tour.

I am attending the Brighton concert and will be posting a review.

UK Tour Dates 2010

15 Oct 2010 - Bournemouth International Centre [BIC] - Bournemouth
16 Oct 2010 - Brighton Centre - Brighton
17 Oct 2010 - Symphony Hall - Birmingham
19 Oct 2010 - Guildhall - Preston
20 Oct 2010 - Clyde Auditorium - Glasgow
21 Oct 2010 - Apollo - Manchester
22 Oct 2010 - City Hall - Sheffield
24 Oct 2010 - Colston Hall - Bristol
25 Oct 2010 - St David's Hall - Cardiff
26 Oct 2010 - Royal Albert Hall - London
27 Oct 2010 - Royal Albert Hall - London

The line-up of Jeff's band includes bassist Rhonda Smith (played with Prince and Little Richard); keyboard player Jason Rebello (CV includes stints with Sting and Chaka Khan); and drummer Narada Michael Walden (a Grammy Award-winning producer who worked with Jeff on the 1976 album Wired).

Rhonda in full flight

Videos of Jeff & Co. "live" at Tokyo International Forum -12 & 13 April 2010

Jeff Beck commemorated 'Les Paul’s 95th Birthday' at the Iridium Jazz Club. Click on link for details, photos: Jeff beck Live at The Iridium, NYC June 8th & 9th 2010

Jeff Beck - Official YouTube Channel

Robin Trower - UK and European Tour - Sep & Oct 2010

noreply@blogger.com (Ronnie Kerrigan) — Tue, 28 Sep 2010 10:39:00 +0000

Robin Trower and his band will be undertaking a UK and European tour during September and October 2010. Don't miss the opportunity to witness 'live' a truly creative guitarist with a distinctive sound and inspired song writing ability.

Some talented musicians grow into maturity and then decline swiftly or slowly. Robin isn’t one of those – he continues to mature musically, play with creativity and passion, and is an inspiration to musicians, fans and music lovers alike.

I am attending two concerts and will be posting a review of one of the shows.

Concert Dates:

03/09/10 - De Boerderij in Zoetermeer, Holland

05/09/10 - Paradiso, Amsterdam

08/09/10 - The Globe, Cardiff

09/09/10 - Robin 2, Bilston

10/09/10 - Pacific Arts Centre, Birkenhead

11/09/10 - Academy, Glasgow

12/09/10 - Picturedrome, Holmfirth

15/09/10 - Waterfront, Norwich

16/09/10 - Academy, Newcastle

17/09/10 - Assembly Rooms, Derby

18/09/10 - Shepherds Bush Empire, London
19/09/10 - The Brook, Southampton

22/09/10 - Komedia, Bath (Review)

23/09/10 - Featival, St. Ives, Cornwall

25/09/10 - The SoundHouse, Otford

26/09/10 - Komedia, Brighton

29/09/10 - Spirit of 66, Verviers, Belgium

01/10/10 - Café Hahn, Koblenz, Germany

02/10/10 - Music Theatre Rex, Lorsch, Germany

03/10/10 - Musiktheater Piano Dortmund, Germany

05/10/10 - The Quasimodo, Berlin, Germany

06/10/10 - Barby, Magdeburg, Germany

08/10/10 - La Poudrière, Leffrinckouckel, France

09/10/10 - Bobino, Paris
10/10/10 - Le 112, Terville, France

12/10/10 - Aarburg, Switzerland

14/10/10 - TBA, Monaco

15/10/10 - International Blues Festival, Barcelona

An important aspect of the tour will be the set list. Robin says it will include some new songs and [perhaps] restoration of some old favourites that are truly atmospheric live, for example, "Daydream" - a classic song.

Best wishes to Robin and the band for an enjoyable and successful tour in 2010.

This footage is dedicated to Robin, Pete, Davey, and Glenn. Thanks for the music and the vibe.

Robin Trower Official Youtube Channel

trowerpower.com

Concert Review: Robin Trower - Komedia, Bath - 22/9/10

noreply@blogger.com (Ronnie Kerrigan) — Mon, 27 Sep 2010 14:08:00 +0000

I've attended good concerts and great concerts. My wife, Sylvia, and I, and others who I meet afterwards feel we have witnessed an outstanding one. A compelling performance from beginning to end; a triumph for Robin, Pete, Davey and Glenn (who astound with their energy, passion and musicianship) and for the audience an emotional, unbeatable, roller coaster ride.

I glance at Robin's set list and believe it is one of the strongest Robin has put together for recent tours in the UK. The strong riffs and rhythm of "Confessin' Midnight" followed by "Lady Love" will enable Robin to solo with a degree of aggression and passion right from the start and for the band to hit a tight rhythmic groove early in the show. I'm pleased a deep favourite of mine, "Daydream" is included in the set. The first time on this tour. The gods have fortuitously shone down on me once again. Somehow I feel this is the right place, one of the right gigs to be at.

As the number of people flocking into the auditorium grows I feel an increasing air of excitement, anticipation, and a slight electricity of whispering that occurs before such events. Just then Robin and his band appear on stage. The audience give them a warm, boisterous welcome.

"Confessin' Midnight" sounds razor sharp. The band come together and the song goes off like a flashbulb. Robin's guitar tone sounds amazing, especially when he hits the wah-wah pedal. Davey's vocals are superb and distinct tonight. In fact, his singing is a revelation and he wins many plaudits. Robin's soloing bites, twists and turns, and is pleasantly aggressive. A problem with a monitor is soon fixed by Laurie at the end of the song. Without losing ground the band launch into "Lady Love" which keeps the crowd energized. It says something about Robin's unique guitar style that songs from early in his career still retain a freshness and vitality on each hearing. Pete on drums and Glenn on bass combine to provide a sweeping, smoldering, strong rhythm which delights and catches hold of your spirit at the same time.

The hypnotic, funky rhythm of "Somebody Calling" is particularly noteworthy powered by Robin's lead guitar work. Combined with Davey's vocals and enthusiastic backing by Pete and Glenn this song sounds better live than I expected. Robin's vibrato is used to killer effect alongside beautiful rhythmic chording and chord changes.

It's obvious that Robin loves to continually write and record new music. The inclusion of three "new" songs in the 14 song set, "Find Me," "The Turning," and " Not Inside - Outside" are well received by the audience. "Find Me" really kicks in when Davey sings in sync with Robin's guitar. During the song Robin plays beautiful understated solos which rise to a crescendo. This should be an interesting composition to listen to on Robin's forthcoming CD as regards guitar parts and overdubs.

"Extermination Blues" has been dropped from tonight's show; a slow song which I believe can lose an audience no matter how great the guitar playing may be. I'm pleased it's been replaced by the classic "Daydream." Tonight "Daydream" is haunting and unforgettable due to Davey's outstanding vocal and Robin's graceful guitar playing and lush sound. The bass and drums sound just right and combine to make this one of the highlights of the show.

Robin's mastery of the guitar is highlighted to great affect on "Bridge of Sighs". He improvises with great feeling; moving from soulful tenderness to moving aggression. I'm glad this version was captured on film. Another new song, "The Turning" sounds excellent. The main riff, chord sequencing, rhythm - and the slow coda - make this a finely-crafted composition. The haunting beat from the outset creates an intoxicating sound. A truly memorable riff weaves its way through the song and make it impossible to remain still until the coda. A coda which is soft, beautiful, and gets large cheers from the audience.

Pete in full flow

Robin's Set List

The people I spoke to post-concert agreed this was one of the finest performances by Robin, Davey, Pete and Glenn they had witnessed. A great set list enabled Robin to ply his exceptional monster bends, licks, and classic vibrato with incredible energy for the whole concert. At 65 he deserves high praise for continuing to create music and play guitar at a level second to no other living guitarist. Davey's singing was top notch and the sound mix was great for the audience. Pete's heart, soul and finesse shone in his drumming and Glenn's funky bass lines were a revelation. A truly superb performance by Robin and the band which produced many great musical moments to cherish. "Daydream" was the icing on the cake.

Postscript: The venue was great and all the staff were friendly and supportive. This helped to make the concert superb and unforgettable.

Davy Smith, Alan Howard, Ronnie Kerrigan (post concert)

trowerpower.com

Robin Trower Official Youtube Channel

Robin Trower at: Amazon

Concert Review: Robin Trower & Jack Bruce - The Music Hall, Worpswede, Germany - 1 March 2009

noreply@blogger.com (Ronnie Kerrigan) — Wed, 01 Sep 2010 19:07:00 +0000

The venue for the concert is 25km north of Bremen. The village of Worpswede is intimate, quite and beautiful. As my brother, John, and I walk towards the The Music Hall I am intrigued such a music venue exists so far from noisy, densely populated towns and cities. It is 5.30 pm and the band are going through a sound check. The songs are "Seven Moons" and "Lives of Clay" and sound great. At the rear entrance to the hall there are a number of vans with cables running from the stage area. The performance is being recorded for broadcast on Radio Bremen.

I meet a music journalist from Hamburg and we talk about the broadcast and the venue. My brother and I talk to a number of people from different parts of Germany and Sweden who are big Jack Bruce fans. It's good to see Laurie Brace (Road Manager/Sound Engineer for Robin Trower) and Steve Russell (responsible for Jack Bruces' instruments and amplification). We talk about tonight's gig, the previous night's performance in Nijmegen, Holland, and exchange a few pleasantries and jokes. Two great guys kept busy making sure all the musical equipment is working, in the right place (esp. monitors), ready for the musicians to play. And ensuring the sound balance is as close to perfection as possible given the restraints of the venue.

Steve Russell, Ronnie, and Laurie Brace

The program and posters outside and inside the venue intrigue me. The only musician displayed is Jack Bruce. It appears Jack is the main act and Robin and Gary are supporting musicians. I understand this is the way the music industry sometimes works. Two formidable musicians collaborate on three albums, organize a short tour in Europe, and only one of the musician's is given recognition and billing. When I discovered the set list included the entire Seven Moons album I tried to curtail judgment, but couldn't. I'm sorry to disappoint. The album has a number of great songs but also has it's share of unmelodic, average tracks.

I notice Robin's Deja Vibe is absent from his pedals. This rules out the possibility of the trio inserting other songs in the set to provide contrast; up-tempo, funkier rhythms; the chance to hear Jack playing bass and singing on "Bridge of Sighs" or "Day of the Eagle." A view shared by numerous Robin Trower devotees and musicians at the front of the stage. Indeed, the absence of songs from earlier collaborations - BLT, and Truce - is a major talking point before, during and after the concert with some fans. Tracks such as: "Into Money," "No Island Lost," "Won't Let You Down," "Gonna Shut You Down," "Gone Too Far," "Fall In Love," "Little Boy Lost" ... would have enhanced the set and experience.

Frankly, I despair of CD/DVD/concert reviews which make you wonder if the person was at the concert or has listened to the music on disc. Some reviews on the Net and magazines appear to be “cut & pasted” and follow a familiar pattern with comparisons of Robin to ... well, you know who! A review bereft of originality and sincerity is a disservice to both artist and writer.

The show started around 9:00 pm to a hall packed with eager fans. At the outset Robin's guitar tone and power seem to be low in the mix. This fails to make "Seven Moons" or "Lives of Clay" any less engaging. Two powerful tracks back to back. Robin's soloing is a revelation. In fact, it is noticeable that Robin and Jack are enjoying playing together.

The sound is uncluttered and Robin's guitar sound becomes more visible during the pedestrian "Distant Places Of The Heart". During the song Robin uses his considerable vibrato and guitar voicings to great effect. A wonderful, creative journey. A masterclass in sensitive, passionate soloing. The outro solo is stunning. Jack Bruce at the finish of the song says, “Life isn't so bad after all ...” I believe, for the moment, he's right.

Tonight Robin's Strat is plugged into a 100-watt custom built Cornell amp. I prefer his guitar tone when he uses Marshall. In fact, towards the end of the set Robin's guitar sound appears to oscillate in volume; a combination of amp and faulty connections, perhaps.

After a passionate and enthusiastic version of “Sunshine of Your Love” the tempo slows for a rendition of “Carmen.” The live version misses the guitar overdubs and outstanding vocal Jack produced on the original recording. Not an easy song to sing, whatever your age, or state of health.

At some point I begin to feel Gary Husband is prone to over-drum - a la Buddy Miles - and the sensitivity of some songs, while still moving, are executed with a rigorousness not required.

Following “We're Going Wrong,” “So Far To Yesterday,” “ Just Another Day” the infectious rhythm of “Perfect Place” enables Robin to use the wah pedal to create haunting, biting, riffs that make the song seem too short. During the song the trio create a wondrous groove which the audience share with vocal enthusiasm.

I'm so glad [sic] that superlative musicians as Robin Trower and Jack Bruce still grace this planet, share their music, their gift, and voice wherever - and whenever - possible. Both musicians have enriched my life and those of numerous others. I hope they tour together again without constraints and a different set list. I acknowledge they call the shots. Me? I'm a "fan" who enjoys music played "live" with passion, vigor and creativity. So who am I to talk? I knew you'd understand.

Link to photographs of the performance on The Music Hall site: Photos + Videos

The concert was recorded and broadcast by Radio Bremen. Click on the following link for the whole concert: Robin Trower & Jack Bruce

Set list signed by Robin and Jack

trowerpower.com

Robin Trower Interview - Cornell

JackBruce.com

CD Review: Robin Trower - A Tale Untold: the Chrysalis Years 1973-1976 [3 CD Box set] - Release Date: July 26, 2010

noreply@blogger.com (Ronnie Kerrigan) — Sat, 24 Jul 2010 11:19:00 +0000

A 3 CD Box Set containing Robin's five Chrysalis albums released between 1973 -1976 [including bonus tracks: B-sides; previously unreleased tracks] was released on 26 July 2010.

Robin Trower fans will have most of the tracks on vinyl, CD and MP3. However, the collection is a valuable insight into the songwriting, music and superb guitar playing of Robin Trower. The recordings highlight the exceptional vocals of James Dewar which were important in the creation of so many musical masterpieces. Jimmy's ability to compose strong lyrics, and his musical bass playing, are on clear display.

The drumming styles and techniques of the late Reg Isadore and Bill Lordan smoothly integrate into the song structures and provide a hypnotic rhythmic feel which make the songs timeless and unforgettable.

The essential message is that the songs on this selection capture a musician and guitar player at the top of his game creating music which is compulsive listening from start to finish. Each track sounds remarkably fresh rather than jaded. Few artists or bands - past, or present - deserve this accolade.

I am still taken aback by the soulful vocals of James Dewar. They have a deep spiritual dimension which take hold of the listener the way sunlight takes hold of each flower, each tree, all things on this earth: life enhancing and breathtaking.

The end result is music of high quality, lyrical, other-worldly, passionate, and memorable. Each melody, guitar solo, lyric, remains woven in my memory, and provides a river I can bathe in, as I wish.

Rock and blues at its finest.

CD 1
1. I Can’t Wait Much Longer (2010 Digital Remaster)
2. Daydream (2010 Digital Remaster)
3. Hannah (2010 Digital Remaster)
4. Man Of The World (2010 Digital Remaster)
5. I Can’t Stand It (2010 Digital Remaster)
6. Rock Me Baby (2010 Digital Remaster)
7. Twice Removed From Yesterday (2010 Digital Remaster)
8. Sinner’s Song (2010 Digital Remaster)
9. Ballerina (2010 Digital Remaster)
10. Take A Fast Train (B-side of ‘Man Of The World’) (2010 Digital Remaster)
11. Day Of The Eagle (2007 Digital Remaster)
12. Bridge Of Sighs (2007 Digital Remaster)
13. In This Place (2007 Digital Remaster)
14. The Fool And Me (2007 Digital Remaster)

CD 2
1. Too Rolling Stoned (2007 Digital Remaster)
2. About To Begin (2007 Digital Remaster)
3. Lady Love (2007 Digital Remaster)
4. Little Bit Of Sympathy (2010 Digital Remaster)
5. Day Of The Eagle (Single Edit) (2010 Digital Remaster)
6. Shame The Devil (2010 Digital Remaster)
7. It’s Only Money (2010 Digital Remaster)
8. Confessin’ Midnight (2010 Digital Remaster)
9. Fine Day (2010 Digital Remaster)
10. Alethea (2010 Digital Remaster)
11. A Tale Untold (2010 Digital Remaster)
12. Gonna Be More Suspicious (2010 Digital Remaster)
13. For Earth Below (2010 Digital Remaster)
14. Too Rolling Stoned (Live) (2010 Digital Remaster)
15. Daydream (Live) (2010 Digital Remaster)
16. Rock Me Baby (Live) (2010 Digital Remaster)

CD 3
1. Lady Love (Live) (2010 Digital Remaster)
2. I Can’t Wait Much Longer (Live) (2010 Digital Remaster)
3. Alethea (Live) (2010 Digital Remaster)
4. Little Bit Of Sympathy (Live) (2010 Digital Remaster)
5. Same Rain Falls (2010 Digital Remaster)
6. Long Misty Days (2010 Digital Remaster)
7. Hold Me (2010 Digital Remaster)
8. Caledonia (2010 Digital Remaster)
9. Pride (2010 Digital Remaster)
10. Sailing (2010 Digital Remaster)
11. S.M.O. (2010 Digital Remaster)
12. I Can’t Live Without You (2010 Digital Remaster)
13. Messin’ The Blues (2010 Digital Remaster)
14. Long Misty Days (7″ Edit) (2010 Digital Remaster)
15. Let Me Be The One (Outtake/B-side to ‘Long Misty Days’) (2010 Digital Remaster)

I'm pleased this is not an anthology. A Tale Untold mirrors the extraordinary gift Robin Trower has to produce music that is magical, exhilarating and which is capable of raising the human spirit on each hearing. For that, I remain thankful.

Track samples and order available at: Amazon

Link to articles about Robin on Your Way To Music: Robin Trower

http://www.trowerpower.com/

CD Review: "What Lies Beneath" - Robin Trower - Released 28 July 2009

noreply@blogger.com (Ronnie Kerrigan) — Sun, 20 Jun 2010 21:15:00 +0000

Some musicians are excellent: some are outstanding. Robin Trower belongs to the latter category. During his long solo career Robin's feel for melody, musicality, passion, and rhythm has not deserted him. Despite decades of successful achievements - on record, and in performance - this album confirms he is still capable of searching for new and challenging musical horizons while retaining his own trademark sound.

The addition of strings, in particular, the cello, on some of the tracks give a a tonal warmth which is immediately appealing. The cello touches the heart and soul in ways other musical instruments are denied.

The qualities that make Robin's music an art which cannot be imitated - and shine throughout this recording - are its rhythmic pure sound; its warm, polyphonic textures; and, of course, Robin's mastery of the guitar: tone; chord inversions/extensions/voicings, vibrato; phrasing; melody; string bends, feedback, whammy-bar, improvisation, wah-wah, and feel.

Track Listing:

01. Wish You Were Mine (instrumental)

A 'classic' hypnotic rhythm overlayed with Robin's warm guitar tones, feedback and whammy bar create an opening track of ethereal beauty. The interplay with strings (cello/violin) is captivating adding to the celestial mood. The lead which kicks in at 1:37 is Robin at his finest.

02. What Lies Beneath

The wah-wah introduction (its use throughout) and the recurring bass riff and sound give this song a solid depth and structure. After repeated listening Robin's voice suits this song, and most songs on the CD. At times, his voice sounds smoky, husky, conversational, but always impassioned, sincere.

03. As You Watch Each City Fall (part 1)

Beautiful intro. Great melody interspersed with lyrical fill-ins. At 1:56 a new dimension is reached. The rich tapestry of sound is enhanced by the strings, and Robin's soloing and layered guitar parts. The tone of a strat never sounded better.

04. As You Watch Each City Fall (part 2) - (instrumental)

The plethora of sounds, guitar parts, bass, and drums combine to make this a instrumental a joy. Full of creativity; great arrangement. Magical.

05. Freefall

This track sends shivers up and down my spine from start to finish. The tone of the main guitar is intense and powerful. The blend of Robin's vocals, the melody, the arrangement, bass and drums, combine to produce a classic track. Love the backing vocals ... Astounding.

06. Once The Spell Is Broken

A song that contains a plethora of sounds including organ. The combination of a strong melody and a wonderful outro solo makes this one of the best songs on the CD. Moody and ambitious; amazing chorus.

07. Sleeping On The Moon

Don't be fooled by the calm start to this song. Out of the calm comes a strong, passionate chorus (great harmonies). Then it goes up another gear when Robin breaks into incendiary solos at 1:36 and 2:34. Love the groove on the outro solo ...

08. Time and Emotion (instrumental)

The organ and Robin's melodic guitar riffing and chord embellishments combine to make this a wonderful, atmospheric composition. Robin solos using all the techniques he has perfected since he started out as a professional musician. A sweet and passionate track.

09. Skin and Bone

A track that appears to be going in one direction and takes different paths. A well-structured song with strong soloing. Great tone and Robin seems to be enjoying himself. The change at 2:10 makes for a welcome fade out were Robin is firing on all cylinders. A sound to behold, indeed.

10. Buffalo Blues (instrumental)

The blues has played a large part in Robin's musical career and songwriting. This catchy, blues-driven instrumental - supplemented by organ - gives Robin the opportunity to play the blues as only he can. Some sweet lines and bends; seamless playing with incredible tone.

11. Find A Place

The chord voicings make this one of the best tracks on the CD. Robin's guitar parts are inspirational and melodic throughout and create a wonderful sound. A strong verse and chorus make this a great song. Robin's vocals sound completely in sync with the music. An exceptional closing track for the CD. Breathtaking outro.

Credits:

Robin Trower - Guitar & Vocals
Livingston Brown - Bass
Sam Van Essen & Chris Taggart - Drums
Roger Cotton - Organ
Andrew Haveron & Clare Hinton - Strings

Further details about What Lies Beneath at Amazon and trowerpower.com

Robin Trower - UK & European Tour - Sep/Oct 2010 - Venues and Dates

Rock And Roll Hall Of Fame 25th Anniversary Shows - 29/30 October 2009 - New York City: Jeff Beck & Billy Gibbons play "Foxy Lady" as a tribute to Jimi Hendrix

noreply@blogger.com (Ronnie Kerrigan) — Tue, 18 May 2010 11:14:00 +0000

It was great to see Jeff Beck and Billy Gibbons performing "Foxy Lady" by Jimi Hendrix on the second night of this event with images of Jimi emblazoned on a large screen above the stage. Jeff and Billy both play solos, each sounding fantastic, highlighting their own guitar style, tone and licks. Jeff preformed a second song with Billy Gibbons: "Rough Boy" - (some of the finest soloing and guitar tone recorded - Eliminator, 1983) - beautiful song and solos (available on YouTube - embedded by request).

Jeff's set list included: "Drown in My Own Tears", "People Get Ready", "Freeway Boogie", "Cause We've Ended as Lovers", "Let Me Love You", "Big Block", "Rice Pudding", and "A Day in the Life".

On the first night Jeff Beck accompanied Stevie Wonder on "Superstition".

Album Review: "Valleys of Neptune" - Jimi Hendrix - Released March 2010

noreply@blogger.com (Ronnie Kerrigan) — Fri, 23 Apr 2010 14:38:00 +0000

Everyday in the week I'm in a different city
If I stay too long people try to put me down
They talk about me like a dog
Talkin' about the clothes I wear
But they don't realise they're the ones who's square

- Jimi Hendrix

I'm always cautious of posthumously released material from any artist. This album, however, confirms that Jimi Hendrix's music and art still has power, a story to tell, and will resonate for generations to come. Jimi's premature death in London on Friday, September 18, 1970 sadly deprived the world of a musical genius.

While Jimi's career lasted less than four years, his music and guitar playing remain inspirational, unique, soulful, and relevant. Jimi pushed the boundaries of music creation, guitar playing, and performance to a limit which has never been surpassed by any other musician. Jimi remains the greatest, most innovative, and iconic guitarist of all time.

Eddie Kramer engineered most of Jimi's authorized recordings from Are You Experienced? to Hendrix in the West, and I'm glad to see he's involved in producing this album, together with John McDermott.

Track Listing:

Stone Free

Recorded: Record Plant, New York, April & May 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Mitch Mitchell

This reworking of "Stone Free" is intriguing for the hypnotic rhythmic variations Jimi uses to drive the song. The use of sliding octaves, pull-offs, string bending and Jimi's inventive approach to playing segments of songs differently throughout the recording enrich the take/recording. Jimi's vocals and phrasing are beautiful. His guitar tone is incredible. Words can't describe his explosive solo - full of melodic expression, passion, fire. Billy Cox's bass playing and tone is refreshing. I'm not surprised this is the first track on the album. The recording flows and Jimi sounds at ease and inspired.

Valleys Of Neptune

Recorded: Record Plant, New York, September 23, 1969; May 15, 1970

Vocal, Guitar: Jimi Hendrix

Drums: Mitch Mitchell

Bass: Billy Cox

Beautiful chords, melody and Jimi in fine vocal form. It's such a great song that the absence of a solo, or further guitar parts, overdubs are not missed. The track has a transcendental feeling and is testament to Jimi's artistic gifts and his development as a songwriter. Love the fadeout.

Bleeding Heart

(Elmore James)

Recorded: Record Plant, New York, April 24, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Billy Cox

Drums: Rocky Isaac

This up-tempo version of " Bleeding Heart" is a revelation. Jimi's singing and rhythm playing are only eclipsed by his electrifying solos; his use of wah is electrifying. Jimi and Billy dig deep into their R&B and blues roots to create an exceptional sound, vibe. A wonderful track.

Hear My Train A Comin'

Recorded: Record Plant, New York, April 7, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

The definitive version remains the superb 'live' version recorded/filmed at the Berkeley Performance Centre, California, on May 30, 1970. However, this version is also memorable. The soloing is a source of tremendous melodic inventiveness. Also, Jimi incorporates some scat singing. Great bass and drum sound.

Mr Bad Luck (Look Over Yonder)

Recorded: Olympic Studios, London, May 5, 1967

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

The driving rhythm ensures a memorable musical journey. In addition to some clowning from Jimi his soloing is magical, upbeat and inspired - 'See that? - I've just broke a guitar string.' While it is well documented Jimi was a perfectionist this track still sounds exceptional.

Sunshine Of Your Love
(Jack Bruce/Pete Brown/Eric Clapton)

Recorded: Olympic Studios, London, February 16, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

Jimi's energetic version of Cream's "Sunshine of your Love" shows the breadth of his inventiveness. It makes the original version by Cream seem pedestrian, even though it remains an iconic song with a memorable riff. While this version elapses into an elongated jam it still retains an infectious rhythm which tends to drag you in. A great groove.

Lover Man

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

Slow version of this song enhanced by a great sound from the bass and drums. Great fill-ins and soloing by Jimi. The outro solo evolves into a free form jam full of superb licks and melody. Evidence, if needed, of Jimi's creative potential during spontaneous jam sessions in the studio.

Ships Passing Through The Night (Night Bird Flying)

Recorded: Record Plant, New York, April 14, 1969

Guitar, Vocals: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

Engaging riffs, rhythms, melody and rendition of a song which shows great potential. Again, beautiful soloing. Despite its failings this song still contains the seeds of something beautiful: Night Bird Flying. Jimi's solo performance at the coda of the song highlights his prodigious talent and guitar magic.

Fire

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass & Backing Vocals: Noel Redding

Drums: Mitch Mitchell

Difficult to improve on the 'live' version included on The Jimi Hendrix Concerts CD released in 1990 - truly an incendiary performance - great drumming by Mitch Mitchell, and Jim's guitar playing is stratospheric. This version still contains some great playing. What the atmosphere was like in the studio is/was only known by a few individuals.

Red House

Recorded: Olympic Studios, London, February 17, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

A 'live' performance favourite and one of the greatest blues songs composed. A launching pad for Jimi to give a strong vocal performance and show his soloing and improvisation skills.

Lullaby For The Summer (Ezy Rider)

Recorded: Record Plant, New York, April 7, 1969

Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

An instrumental which evolved into "Ezy Rider". This version contains some tantalizing moments. It displays the development of a song. The composition has a great groove and riffs over which Jimi improvises. Which take is this? How many patterns were changed? Was the band in disarray? I don't know, and frankly, I don't care. The music speaks for itself.

Crying Blue Rain (Blue Window)

Recorded: Olympic Studios, London, February 16, 1969

Vocal, Guitar: Jimi Hendrix

Bass: Noel Redding

Drums: Mitch Mitchell

A slow blues that morphs to a faster groove. The band are jamming and Jimi colours the instrumental with beautiful chord voicings and licks.

The album is well produced and most of the tracks highlight a genius at work. Even though marred by patches of weakness there is creativity and passion in the raw material, and - most important - honesty.

Jimi Hendrix was a human being - not a god - whose unique personality continues to shine through in his music, lyrics and guitar playing. To rise from a poverty-stricken background, to be black, left-handed, shy, and become a musical genius - always evolving, taking risks - and conquer the musical world, is testament to his perseverance amid a myriad of unwanted distractions and pressures.

This album - while imperfect - is testament to the creative mind of an exceptional artist who will be remembered as long as music exists.

Further details at Amazon

Concert Review: Jimi Hendrix - Isle Of Wight Festival - 31 August 1970

noreply@blogger.com (Ronnie Kerrigan) — Mon, 08 Mar 2010 18:53:00 +0000

Isle Of Wight Festival - 1970

Jimi Hendrix

'Yeah ... Thank you very much for showing up, man, you all look really beautiful and outa sight ... And thanks for waiting. It has been a long time, hasn't it? ... That does mean peace not this ... Peace ... OK give us about a minute to tune up, all right? Give us about a minute' - Jimi Hendrix addresses the festival crowd - Monday, Aug. 31, 1970

It is summer and I'm sixteen. I look down at my brother who is asleep on a small patch of ground. A patch of ground that has been our home for three days and nights. We have sleeping bags, some food and drink, body aches, and above us a dark blue sky patterned with stars and planets. Someone stole our tent the day we arrived. Our musical pilgrimage has included travel by ferries, hitchhiking day and night, sharing cars and vans with some people who engendered - within us - curiosity, terror, or both. Why? To hear and feel music played by some of the greatest musicians and bands to grace this planet.

Despite negativity in the media regarding management of the festival, unrest amongst fans, overt commercialization, drug dealers, heavy security, the attendance of Hell's Angels and so-called anarchists, I feel instilled in a carefree, happy environment. The vibe is cool and the people in our vicinity are friendly, and, like us, engrossed in the diversity of music and performers. Everyone enjoys gazing at other people in the crowd; mainly at clothes, painted faces, hair, partial nakedness.

As I walk through the crowd I regain energy from the music weaving through the air. The sounds of acoustic guitars, drums, singing, chanting; the human landscape of multi-coloured clothes, tousled hair of every shade and length, and pretty girls - some dancing in erotic fashion as the evening sun glints in their hair - arouse delight and passion. The mood and smells are intoxicating. I suddenly wish to be older. Finding my brother, and our mutual space, is aided by our closeness to the stage - 150 meters - and the positioning of numerous flags rich in diversity and colour.

Most people have witnessed memorable performances by Taste, Free, Chicago, Family, The Who, Jethro Tull, Miles Davis, The Doors, and other artists. Music of all genres played by superlative musicians and bands. Days and hours of beautiful images and vibrations in the air, our hearts and souls.

It is a cold dark morning. A collective cry of joy and relief raises from the crowd (circa 600,000) as Jimi's arrival on stage is announced.

Shortly after 2.00 a.m. the eyes of those lucky to be awake - and standing - are centered on one individual walking towards the front of the stage. Jimi Hendrix is dressed in a colourful garment with long trailing sleeves. He is cradling a black and white fender stratocaster. There is no crush or discomfort, just lights, colours, darkness, people waking, coughing, rubbing their eyes. I try to wake my brother. Gradually, he opens his eyes and sits motionless. I tell him to stand; Jimi is on stage.

A cold beauty descends as I gaze at Jimi and his backdrop of daisy-chained Marshall stacks. For a moment I'm fearful of tumbling, being crushed, or losing my brother, as people start to move closer to the stage. I think of the inventive music and guitar solos Jimi has created. The first time I heard "Purple Haze" is ingrained in my memory. How could someone compose such a song? The opening riff using tritones is incredible. I can hardly grasp I'm going to witness for the first time Jimi Hendrix in concert.

To me, music is an emotional roller-coaster to be experienced live; captured with your eyes and ears and if it fails to change your emotions, feelings, then move on to music that does. A live performance can't be captured on vinyl, video, CD, DVD. Such mediums fail to convey the potpourri of images, colours, sounds, and volume which make your inner being glow.

As Jimi speaks, sings, plays his guitar, the crowd watch in silence mesmerized by his magical charisma, stage presence, mercurial rhythms and soaring solos. I cheer, and shout - like most people - after each song. My tiredness replaced by immense energy.

The frost melts as Jimi plays "Spanish Castle Magic". It sounds like a hot, bright light breaking through the black, blue and white formations created by the stage lights. Jimi's guitar playing reaches a higher level; soaring, electrifying, intense. His vocals are full of sensuality, power, and during the final solo his guitar sound becomes surreal; licks, distortion, and feedback create an expansive dreamy sound.

" ... That's if we travel by our dragonfly ..."

While it is evident there are technical problems with Jimi's amplification, pedals, and guitars (mostly going out of tune) his voice, phrasing, and guitar playing are exceptional, soul-stirring. Jimi sings "All Along the Watchtower" passionately. His soloing is enhanced by feedback and infectious interplay with Billy Cox on bass. I believe Jimi is blessed to have Mitch Mitchell on drums and Billy Cox on bass as his rhythm section. They bring out the best in Jimi. Mitch shows he is an imaginative and multi-dimensional drummer, and Billy plays fluid and tight, with a deep intuitive skill, matching Jimi pattern for pattern. Jimi's playing is remarkable as it takes different twists and turns.

The patterns weaved by Jimi and Billy Cox are hypnotic during “ Machine Gun” and once again Jimi creates some outstanding runs and sounds. Jimi plays soft, raw, loud, and seems to move in the direction of the sound he is trying to create. At times, it appears to be a struggle and there is tension in his playing. Then the rhythm changes and the trio synthesize again to paint a different musical landscape.

Adorning a “Flying V” Jimi plays a wonderful rendition of “ Red House” - Jimi played the blues as well as anyone; tasteful playing conjointly with his unique voice and phrasing. It was great to hear new numbers: “Freedom,” ”Dolly Dagger,” and “Hey Baby (Land of the New Rising Sun)”.

Jimi pulled a blistering version of "Voodoo Child (Slight Return)" out of the bag. His guitar sounded heavily distorted and the notes rained down sprinkled with Jimi's unique creative powers.

For Jimi, the band, and some of the audience, the show may have been uneven. However, the set showed an innovator and experimenter reaching out to his audience with his music, guitar, and colourful tapestries. I still believe Jimi's set was the defining moment of the festival. For those fortunate to come of age during the 1960's Jimi Hendrix raised the bar, and brought unparalleled power, sensuality, and sustained resurrection to guitar playing, song writing, and performance. He exuded a contagious charisma, spirit, rarely witnessed by any musician, past or present.

No-one knows what Jimi's state of mind was during his last month on this earth. I believe, however, he had new horizons to explore musically, emotionally, and spiritually. It is often forgotten that while Jimi was a guitar virtuoso, and an instrumentalist of profound influence, he was also an incredibly gifted, first-rate songwriter. Jimi's vocal style - underrated in some musical quarters, including his own - complimented his guitar playing.

Jimi's artistic gifts, music, and guitar playing, will continue to astound future listeners' as long as music exists. His memorable riffs and lyrics will reverberate wherever sound can be heard. I occasionally think of this concert. I like the imperfections which make Jimi's performance like life. When I watch or listen to the music on CD, DVD, I am sad that the greatest, most innovative, and iconic guitarist of all time, died so tragically young.

Set List: God Save the Queen; Sgt Pepper's Lonely Hearts Club Band; Spanish Castle Magic; All Along the Watchtower; Machine Gun; Lover Man; Freedom; Red House; Dolly Dagger; Midnight Lightning; Foxey Lady; Message to Love; Hey Baby (Land of the New Rising Sun); Ezy Rider; Hey Joe; Purple Haze; Voodoo Child (Slight Return); In from the Storm.

I didn't mean to take up all your sweet time
I'll give it right back one of these days
If I don't see you any more in this world

I'll meet you in the next one

And don't be late,

Don't be late

'Cos I'm a Voodoo Child

God knows I'm a Voodoo Child

- Jimi Hendrix

The Man With The Guitar